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That would make sense if and only if this colorspace issue was clearly documented and clarified. This process is/was still “state of the art” for printing serious work, without using costly RIP softwares.
DXO PHOTOLAB 2 WORKFLOW HOW TO
Luminous-landscape made several videos on how to use Softproofing when going from camera to print. I think the DxO guys’ rationale is that if you want to have serious printing workflow, you’ll either invest in a RIP, or use Photoshop. This colorspace was used by the root algorithms for handling demoisaicing/denoizing/ raw processing at the same time (the strenght of DxO), and was nearly impossible to change without heavy investment and research.Įver since we have seen updates in the raw processing (with spectacular results), but nothing on the color management topic. Years ago (before PhotoLab, back in the DxO days) I was told by an engineer that it was close to AdobeRGB but couldn’t give proper documentation about it because it was a sensitive matter. Soft proofing being the most obvious feature.įor high resolution fine art printing and signature work, there is an un-clarified topic about the internal working colorspace of DxO. I am advocating for years for a decent printing module for end-to end color management system within DxO, but I also know this a lot of work.